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Media, Sound, Ecology | Polydimensional Scores

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By Alisa Tarabrina, Macy Burgess and Sam Street
Image from "Material Study 鈥 Camosun Bog."
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A collaboration between MDIA300 students and Vancouver New Music.

This past semester, Julie Andreyev and students in her MDIA300/VAST320 Media, Sound, Ecology course paired with musicians to create a series of eight pieces.

Guided by Andreyev and Vancouver New Music Artistic Director Giorgio Magnanensi, the students learned about and experimented with graphic notation, sound, composition, gesture and figure, all in relation to ecological approaches to art making.

The Polydimensional Scores were created using walking-creation methods to generate temporally-based and spatially situated compositions. The students chose techniques such as soundwalking and environmental listening, field recording, material collection, video, drawing, painting.

Students were then paired with a professional musician, who created a sonic interpretation of the score. Each sound artist contributed their unique instrumentation and musical style.

You can view the exceptional work that resulted from all of their collaborations now, on .

Scores and performances:

  • 鈥淎lter;鈥 by Ka茂a Barth-Lessarg (score); Brady Ciel Marks (music + video)
  • 鈥淪kylines鈥 by Linda Serrano and Cara Jacobsen (score) Sara Gold (music)
  • 鈥淟ight Wave鈥 by Jessie Luo, Yumeng Cai, Emma Shang (video score); Anju Singh (music)
  • 鈥淪tepping into Raincouver鈥 by Jenn Li (score); Jaewoo Lee (music)
  • 鈥淟osing Footsteps鈥 by Harry Leshgold (score); Sara Gold (music + video)
  • 鈥淪tepping into sound-painting鈥 by Jermaine Oxley (score); Emma Tomic (music)
  • 鈥淢aterial Study 鈥 Camosun Bog鈥 by Alisa Tarabrina, Macy Burgess, Sam Street (score); The Memory Palace (music)
  • 鈥淐row Stone Tone Poem鈥 by Julie Andreyev (score); Giorgio Magnanensi (music + video)